![]() A second oval comes from top of the nostrils, touching the corner of the lips and touching the top of the chin’s oval – these two ovals are separate shapes and are highlighted differently. Later on in the process, you can add wrinkles using highlights in order to make the image more realistic. One of her main tips is to always block out the colours before focusing on the details, and don’t rely too heavily on shadows to create the wrinkles in the lips. She discusses the shape of the face and how you can use ovals to understand how shading and highlighting works around the lips and chin. She recommends putting some references as floating windows on your desktop to constantly use a references throughout the process. Magdalena discusses how to draw realistic-looking lips in this video. Which direction is the motion of the hair, and what is the direction of the face? Use this to get the shading right. This means you should start by using a big brush and slowly use smaller and smaller brushes to add details. When drawing, start to draw from the bigger shapes to the smaller shapes.Hair will put shadow on the face so don’t forget to add that in.Add some light shining through hair particularly at the ends of the hair so it doesn’t look fake.The bits that are directed upwards will catch light and those facing downward will be shaded. ![]() To get realistic looking highlights and shading in the hair, Magdalena says that you should imagine that the hair works like ribbons. She discusses using a sketch to make sure that the shapes are correct, before blocking the rough colours and primary shapes. In this video, Magdalena gives you some tips on how to paint flowing hair using Painter Essentials 6.
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